Rosie and Violet
Most Mysterious Crabs
Field Value Full Name Rosettia Mayeflowe (Akuhina Gomobara) Alias Gender Female Age Unknown World Sozo Realm Occupation Mage Assistant Status Alive (returned home) Role Participant Team Light Magic Club Edition Crab 3 Creator
New friends?
Rosettia and Violetta Mayeflowe (usually just called Rosie and Violet) are both participants of Crab 3, joining the team Light Magic Club. They are plant sisters born from an imagination realm where everything is out of balance and time and matter are messed up - and they travel through dimensions living different adventures.
Appearance
Personality
Violet is brash and likes attention a lot. She is sassy and narcissistic, but has a strong love for her sister and will always defend her - even violently if she feels someone has insulted them. She has a motherly attitude towards those weaker than her.
Rosie is instead far more meek and can get scared easily. She is far more silly than Violet and childish, but also happier and more friendly, being often willing to engage in silliness and dragging her sister along through it. She is very dependent of her sister and believes she would go insane without her.
Powers and Abilities
Rosie has the ability to create portals, although she does not have much control to where they take people. She can maintain only one portal at a time. I think.
Violet can summon giant plants from any surface. They move rather quickly and she usually uses them to insta KO enemies with one hit, throwing them off the arena. I think. She can combine her attacks along with Rosie’s portals to hit from unexpected angles as well.
They can both glow in the dark. This one I am sure about.
Background
History
Round 1
Pix and Mr Chammy (lost) vs Rosie and Violet Mayeflowe (won, entry) in The Magical Barrier. Match page: C3 R1 - Pix and Mr Chammy vs Rosie and Violet
While the beings worked for the Empire, the flower sisters worked, naturally, for the Forest Alliance.
In the only canon reality, the flower girls appeared near the barrier in darkness, wondering where they were. They encountered the other two who instantly declared themselves their foes. The flowers asked them who they were and they rudely said they should be asking them that - the Gamemaster then introduced them to the barrier, and each other, and declared they would have to fight. Then the flower sisters instantly plant-punched them into the barrier, ending the match and kind of setting in motion their own modus operandi for the future.
Pix and Mr Chammy burned and vanished when they hit the magical barrier.
Round 2
Epona Claymore (lost, entry) vs Rosie and Violet Mayeflowe (won, entry) in Origami. Match page: C3 R2 - Epona Claymore vs Rosie and Violet
In Japan, I have not a single clue what potions did Epona nor the flower twins drink.
In Epona’s reality, ORIGAMI SAMURAI. The visual storytelling captured in “Origami Samurai” by Epona is nothing short of revolutionary—a symphony of folds, creases, and martial precision that transcends the static medium of ink on paper. The narrative, deceptively simple, unfolds like the very craft it celebrates, beginning with a humble sheet of paper in the topmost panel. Here, the page becomes a metaphorical chrysalis, twisting and converging into a form that is both ancient and futuristic. Origami Samurai. Each fold in the first sequence is a meditation, a deliberate act of creation. The fluidity of line work invites the viewer to feel the tension of the paper fibers yielding to the touch of an unseen artist. The swirling accents surrounding the paper’s transformation suggest an almost mystical energy, a ritual as ancient as Japan itself. The emergent figure—pristine and sharp, a warrior born not of steel but of geometry—is a testament to the delicate balance between fragility and power. Origami Samurai. In the second panel, the narrative pivots to a dramatic tableau: two figures, clad in the angular rigidity of folded armor, stand poised for combat. The composition here is masterful, evoking the stillness before the clash of titans. Their stances mirror traditional samurai poses, yet the exaggerated proportions of their armor remind us of their paper origins. Origami Samurai. Their very existence is a paradox, a paper-thin illusion of invulnerability. Epona’s deliberate contrast of fluid gesture lines and rigid armor edges creates an aesthetic tension that mirrors the narrative itself. Finally, the climactic moment: swords clash in an explosion of force and artistry. This final panel is a kinetic masterpiece, with sweeping lines that radiate the ferocity of their encounter. The clash of blades, rendered with jagged intensity, captures the impermanence of paper and the timeless weight of honor. One wears a conical hat, evoking a sense of humility and grounding; the other dons an ornate kabuto, a crown of arrogance and ambition. Origami Samurai. The duel transcends the literal—it is a battle of ideals, a reflection of the eternal struggle between creation and destruction. Epona’s artistry, both in conception and execution, elevates “Origami Samurai” into a realm of pure genius. Each panel is a haiku, each line a brushstroke of philosophical depth. The piece is not merely a comic but a manifesto—a celebration of craft, a meditation on impermanence, and a love letter to the ancient art of folding. Origami Samurai.
In the twins’ canon reality, they were surprised to find themselves teleported to Japan, with Rosie saying it wasn’t her and Violet noting then it had to be someone else (in fact, they were origami dolls that suddenly turned into the twins). Epona was there and wondered how it was that they were alive. Violet asked Epona who she was and where they were, while Rosie gasped in fascination over the horsie. Epona said she made origami and asked for their names, Violet introduced herself and her sister while Rosie asked to see some origami. Violet then asked Epona for a way to leave, and Epona revealed that was her realm and they were probably trespassing. Thinking she had found a portal, Rosie tried to touch a door but instead it transformed Epona into origami, to which the flower went oops.
Round 3
Magai (won, entry) vs Rosie and Violet Mayeflowe (lost, entry). Match page: C3 R3 - Magai vs Rosie and Violet
In Rosie and Violet’s reality the Sisters were transported to the arena and were surprised to see many spectators from CRAB or even other universes. They faced Magai who was described as a powerful shapeshifting finger. 4kids eat your heart out. Magai seemed disappointed his opponents were talking flowers and Violet noted the hypocrisy. He explained they would have to battle and Violet told him to hurry it up, when the battle began, they quickly rang him out with a surprise flower attack that launched him upwards.
In Magai’s canon reality, the duo was shocked to see a house in the arena, and when they attempted a surprise attack inside, found Magai enjoying lunch with a whole family he brought to the Bucket. Appalled about the ridiculousness of it, Violet asked why would he do that or if he even knew what was at stake, but Magai’s daughter responded they were waiting for all the other fights to conclude. Violet attacked, but Magai covered his daughter from the blast, losing an arm. Asking Violet to retreat, Rosie realized the house’s door had disappeared, and Magai’s family happily left to leave the father to battle the girls, though Rosie followed them to their refuge asking to talk. With Magai grabbing Rosie, an enraged Violet decided to teleport the Bucket itself, the arena, outside of Magai, first rescuing her sister from him - however as she attempted this, Rosie teleported them away without bringing the arena, causing them to be out of bounds, with Magai and his family waving at them. Realizing they had lost, both sisters shared a solemn embrace and declared their love for each other.
After Crab 3
After the tournament, the twins returned to their world. It is unknown, yet unlikely, that they made any wish to the new gods. They are seen hanging with Feddie and Zephyr in Kome’s epilogue as the ghost of Tikas gives the witch his approval.
Relationships
Life Within CRAB
They spent most of CRAB apparently falling through portals.
Gallery
Gallery
Trivia
- There is a Mandela Effect going on in Crab that makes many participants swear that Violet was initially meant to be a man.
- Both twins were born 5th May, but Rosie was born 4PM and her sister 4AM.
- Even after writing this whole article I feel a great sense of mystery regarding who they are.
Source
Text: CRAB WIKI, Rosie and Violet Mayeflowe (revision 1732, 2025-02-08; by Fresbi)
Pictures: Rosie violet.png, uploaded to the wiki by Fresbi
Edited by: G
Licence: text CC BY-SA 4.0; characters, comics and art belong to their creators
